María Kodama in an apartment in Buenos Aires at the corner of Calle French and Calle Bustamante, right across the street from my painting studio. The first time I saw them I was having breakfast at Café Literario, next door to their building. I was shocked to see The Master enter the room and take a table next to mine. They had coffee and medialunas. They were a stunning couple. He was in his eighties, blind and tall. She was in her early forties, half Argentinean and half Japanese. It seemed that everything grew quiet as they entered.
Over a period of several weeks I followed Borges on his wanderings through the streets of Buenos Aires without him knowing it. At first I had no idea what I was doing. Was it a travel-performance piece, like when I walked the Incas Road in the Andes mountains? At that time, me hiking the Road was the piece. Now, Borges was the main focus and the road, the streets of Buenos Aires, was the background landscape. The first time I followed Borges, he walked for about an hour holding María Kodama’s arm and then went into a bookstore. After a few minutes they stopped at one of the display tables. María Kodama picked up a book and started reading to Borges in a low voice. The book was about the Kabbalah.
When they left the bookstore I followed for a few minutes and then stopped him.
“Maestro, I’m so glad I’ve run into you. Can I ask you a question?”
“Sure,” he responded. His eyes were focused somewhere high on the horizon. María Kodama was staring directly at me.
“My ancestors are Hassidic. I’m very curious about them and the Kabbalah. I’m thinking about determinism and I want to know.…”
He interrupted me and said: “La Cábala es el libro que viene detras del Libro.” “The Kabbalah is the book behind the Book. The Torah is “The Text,” the literal word of God, which is the origin of all things. Kabbalah is the word of man attempting to comment upon and interpret Torah, while being faithful to it. Words have real volume in the Kabbalah. They are heavy and three-dimensional, numbered and measured, as if the words were actual beings and objects, themselves.
He thought for a moment, and then said: “Kabbalists believe that God dictates word by word what he wants to say. This means that “The Text” of the Torah is an absolute text in which change is measured as zero. What really attracts me is not the text itself, but the possibility of a text where chance has been ruled out.”
We were standing in front of the building where my father used to work, the AMIA, the Jewish Aid Society. The building would be blown up by Iranian terrorists several years later. On that day Moishe was only two blocks from the AMIA, on his way to work there. His body lifted off the ground at the same time that some of his friends were blasted apart and buried in the rubble. I spoke to him on the phone a few hours after the explosion that killed 85 people and injured hundreds. He repeated what he had said to me many times over the years: “I am a lucky man. I escaped again.”
The AMIA was the first place Moishe went looking for a job, when he first arrived in Buenos Aires at the Eva Perón train station.
Determinism: (n) All events are causally determined by a chain of prior events.
Borges had answered my question without even knowing what it was. Just as he said, “chance has been ruled out.” I was there, standing face to face with Jorge Luis Borges, years before the bomb exploded, years after Moishe knocked on the AMIA’s door for the first time looking for work, so I can write this sentence, at this moment, and you, the reader, will finish reading it in this particular instant.